We accept submissions to t'ART online on a rolling basis and would love to see your work! Find out how to submit and what we are looking for here.

t'ART online: August Edition
t'ART online: June Edition

We accept submissions to t'ART online on a rolling basis and would love to see your work! Find out how to submit and what we are looking for here.


Gloria Bei

My name is Gloria and I study Chemistry and Pharmaceutical Technologies here in Italy. My school education has always been scientific-based since I started high school; However, art has always been a part of my life since I was a child. My granfather was a painter and has always supported me with my passion. With the start of this pandemic, I decided to buy a graphic tablet wich I used to unpretentiously experiment using different colours and textures. I didn't expect this hobby would become so important to me as it is now, given to the fact i started it a little by chance, but here I am.


Instagram: @gloria.bei



I am Toni, a joyful, lively 26 year old illustration designer from Berlin. I just graduated from university and the pandemic situation hit me hard, but hell no, I am not getting myself down. Over the past few years, my skills have developed from really clean and smooth lines to dirty and rough sketches, jumping back and forth, but never losing my authenticity. My main goal is to be creatively provocative until society stops being offended and having heart attacks because of painted period blood, body hair or a simple vulva.



Jess Birch

Hi my name is Jess and I'm a digital illustrator and Architectural Assistant based in North London. My illustrations focus on a lot of still life and botanical themes as well as self love and people enjoying their space, which I hope a lot of people can relate to and find comfort in! I really enjoy bringing a lot of colour into my work, making my art very bold and vibrant! My creativity grew a lot over lockdown when I started to share my work. I've also started selling my art as prints and tote bags on my Etsy store.

Insta: @jessbirch.art 

2 girls
green b
Both Orphans (live at Clares)Elspeth Anne
00:00 / 04:26
In MaiElspeth Anne
00:00 / 01:04

Elspeth Anne

Elspeth Anne is a  singer, songwriter, multi-instrumentalist and visual artist, based on the Welsh borders. Musically she weaves folk, punk and country influences into a dark cloth of voice-focused psych-drone-chants. In her art the same themes come through in a different form - the power of nature, healing, feeling, supernatural matters, pain & growth. She is currently working on her third album, due for release in late 2021.

Support her work at: www.patreon.com/elspethanne and www.elspethanne.bandcamp.com

Insta: @elspeth.a

JeanoElspeth Anne
00:00 / 02:22

Brittany Keller

Hi, I’m Brittany Keller. UX designer by day, illustrator by night. I have always loved art, and over the pandemic I decided to take it to Instagram. I love using art to connect with others and give my creativity a place to grow and thrive. 

Insta: @brittanykellerart


english rose resistance by Bethany-Rose Robertson

My name is Bethany-Rose, and I am an English student from London. I love to write poetry and particularly like to focus on channelling lived experiences into my poems, often enmeshing them with metaphors from nature and city life; I believe the beauty in poetry can often be found in hidden meanings. I have recently started piecing together a series on abusive relationships and the cyclical nature they so often undertake, which sadly is the reason they often continue as long as they do. This specific poem looks to the cyclical relations between the seasons, focusing in on the life and subsequent death of a rose bloomed in spring and wilted in the winter. It uses the golden shovel method which takes a line from another poem and uses each word as the end of the lines in an entirely original poem, this one references Robert Frost. Underneath the eco-centric foreground of the poem, I begin to move beyond the natural world and touch on themes of manipulation, the body, soul and realisation of worth. I often find that by personifying natural forms you can reframe sometimes complicated and confusing experiences and see them in a way that feels tangible, universal and clarified. There seems to be a societal normalisation of the toxicity found in abusive relationships. I think it is important that we reclaim and rewrite this narrative with self-love and mental health at the heart of the matter. 



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